Classifying the Classics, and Who to Trust
One does not just trust every critic — at least, a Discerning One does not trust every critic. But how does One determine who is worthy of that trust? For me, in the Case of The Beach-Book Critic, I used two factors: representation and Lolita . Recently, I read The Odyssey (technically, Claire Danes read it to me) and I was amazed at the crap Odysseus managed to get away with. He slept his way home, killed lots of people, wounded a god's child, made some dumb-ass mistakes, lost more crew than I could count — and still made it home to sex his wife and kill lots more men and women. It was a fascinating read, but I found myself asking the same rhetorical question: "Why is this a classic ?" I have begun to look beyond my lit class must-reads for some great titles, like Tales of the Genji , the first novel ever written, by Murasaki Shikibu, an eleventh century Japanese noblewoman. Also left off my lit class lists was The Heptameron of Margaret, Queen of Navarre , a book...