People get so excited about novels that venture into the world of religion. The uproar over The DaVinci Code was immense (though one could gauge its success by the number of books published as a "response" or "rebuttal"). People forget that "fiction" can be translated to mean "making it all up, no matter how many real elements one injects into the story, like in Fargo , the Coen brothers movie." So, should anyone get excited about The Genesis Secret ? If so, it's entirely unnecessary. The fact that it's a novel rather than a news story never escapes the reader at any time. At the beginning of the book, debut novelist Tom Knox states two true elements of the story: the existence of an archeological site and a religious group. The foundation of the story is realistic — tension, politics, religious issues, public safety responses — but the character-based story never enters the realm of realism for me. And that makes me glad.
Showing posts from November, 2009
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I started Olive Kitteridge with great skepticism: a series of short stories as a novel did not sound like a smooth, cohesive story. However, within a dozen pages I was glad it was nearly midnight because I would have called Carole to ask her why she hadn't forced me to start the book sooner. Elizabeth Strout creates an incredible level of intimacy necessary for this kind of tale, where readers meet the title character through rumor, reputation, association and in person. She is not all that likable, especially at first; in fact, throughout "Pharmacy," I actively wondered why the gentle and loving Henry was married to her in the first place. However, to be fair, she was seen through the filter of his perception, and there was a very stark contrast between his life at the pharmacy and his life at home. Not until the second story, "Incoming Tide," did I actually find any redemptive, or even likable, qualities to Olive. It was then, when a reader could see h
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The problem with classics is that everyone expects the mystery to have expired. Right before I watched Citizen Kane for the first time, a classmate asked, "You know Rosebud is [SPOILER], right?" I responded, "Well, I do now ." So I approached Rebecca like reading it was a state secret (except to Carole, who was her fabulous no-giveaway self, as I knew she would be). No bonehead was going to tell me about Daphne du Maurier's "Rosebud," so I started the novel with no information other than the brief and completely innocuous summary on the back of the 1970s-era paperback I picked up at the thrift store. Thank heavens. There were so many great elements I would have been quite vexed to have had any of them spoiled. The summary is simple: a young woman is rescued from a life as a "traveling companion" (a.k.a. maid) to the American bore Mrs. Van Hopper by Maxim de Winter, who owns the legendary English estate Manderley. There in the